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Definition: Algardi, Alessandro from Chambers Biographical Dictionary

1598-1654

Italian sculptor

He was born in Bologna, but worked in Rome from 1625, superseding Gian Lorenzo Bernini at the papal court. His chief work is a colossal Baroque relief, in St Peter's, Rome, of Pope Leo I restraining Attila from marching on Rome (1650).


Algardi Alessandro (1598-1654)

From The Encyclopedia of Christian Civilization
Italian sculptor, the leading sculptor under Pope Innocent X. He moved to Rome in 1625. During the pontificate of Innocent X, when Bernini was out of papal favor, Algardi replaced him at the papal court. Cardinal Ludovici, a fellow Bolognese, was able to secure Algardi his first commission for two stucco statues of Magdalene and St. John the Evangelist in Silvestro al Quirinale. He became a prolific sculptor of portrait busts and ranks as the greatest portrait sculptor of all time. In 1634 he completed his Three Martyr Saints in terracotta for SS. Luca e Martina. His mastery of bronze is shown in his Urn for the Magdalene in St. Maximin in southern France and the relief Ecstasy of St. Mary Magdalene in the church of Santi Luca e Martina in Rome. His three finest commissions were the Tomb of Leo XI and the huge relief Pope Leo Driving Attila from Rome , both in St. Peter's, and the Decapitation of St. Paul in S. Paolo in Bologna. In 1635 he carved the marble S. Philip Neri with an Angel…
14 results
St Leo meeting Attila, 1646-1653, marble altarpiece by Alessandro Algardi (1598-1654), St Peter's Basilica, Rome, Vatican City, 17th century
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St Paul's beheading, 1645-1650 by Alessandro Algardi (1598-1654), marble sculpture group, San Paolo (St Pauls) Maggiore Church, Bologna, Emilia-Romagna, Italy, 17th century
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St Michael Archangel overcoming demon, by Alessandro Algardi (1598-1654), bronze sculpture. Italy, 17th century.
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Bust of Ulpiano Volpi, 1640-1650, by Alessandro Algardi (1598-1654), bronze sculpture. Italy, 17th century.
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St Michael Archangel overcoming demon, by Alessandro Algardi (1598-1654), bronze sculpture. Detail. Italy, 17th century.
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Charity triumphing over Greed, artist from School of Alessandro Algardi (1598-1654), 15th-16th century. Italy, 17th century.
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Design for the Prow of the Gallery of Pope Urban VIII with the Barberini Arms of Bees and Sun, Ignudi, Tritons, Hippocamps, Putti and an Allegory of Victory as the Figurehead Below the Letters VRBA Intertwined with Putti, (black lead, pen and brown ink)
Artist: Algardi, Alessandro (1602-54) Location: Private Collection Credit: Design for the Prow of the Gallery of Pope Urban VIII with the Barberini Arms of Bees and Sun, Ignudi, Tritons, Hippocamps, Putti and an Allegory of Victory as the Figurehead Below the Letters VRBA Intertwined with Putti, …
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Two Putti Supporting a Cardinal's Hat and an Escutcheon with the Arms of Camillo Pamphili: Design for a Stucco Decoration, (black and touches of red chalk, pen and brown ink, brown wash)
Artist: Algardi, Alessandro (1602-54) Location: Private Collection Credit: Two Putti Supporting a Cardinal's Hat and an Escutcheon with the Arms of Camillo Pamphili: Design for a Stucco Decoration, (black and touches of red chalk, pen and brown ink, brown wash), Algardi, Alessandro (1602-54) / …
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Full text Article Marble statue of Athena with snake

From Bridgeman Images: DeAgostini Library
Marble statue of Athena with snake
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Full text Article Algardi, Alessandro

From Chambers Biographical Dictionary
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