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Browning, Robert

From The Columbia Encyclopedia
1812–89, English poet. His remarkably broad and sound education was primarily the work of his artistic and scholarly parents—in particular his father, a London bank clerk of independent means. Pauline , his first poem, was published anonymously in 1833. In 1834 he visited Italy, which eventually became his second homeland. He won some recognition with Paracelsus (1835) and Sordello (1840). In 1837, urged by William Macready, the Shakespearean actor, Browning began writing for the stage. Although not especially successful, he wrote eight verse plays during the next nine years, two of which were produced— Strafford in 1837 and A Blot in the 'Scutcheon in 1843. The narrative poem Pippa Passes appeared in 1841; it and subsequent poems were later published collectively as Bells and Pomegranates (1846). Included were “My Last Duchess” and “Soliloquy of the Spanish Cloister,” both dramatic monologues; this form proved to be the ideal medium for Browning's poetic genius. Other notable poems of…
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Full text Article Browning, Robert

From Continuum Encyclopedia of British Literature
During much of his early career as a poet, Browning’s work was eclipsed by the reputation of his wife, the poet Elizabeth Barrett BROWNING . In the 1850s, he was commonly identified as “Mrs. Browning’s husband.” By the 1860s, he had developed an independent reputation. At the end of his life, he…
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Full text Article Browning, Robert

From Philip's Encyclopedia
English poet. "My Last Duchess" and "Soliloquy of the Spanish Cloister", both published in Bells and Pomegranates (1846), display his characteristic use of dramatic monologue. In 1846, he and Elizabeth Barrett ( Browning ) secretly married and moved to Florence, Italy, in 1847. He published the…
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Full text Article BROWNING, ROBERT 1812-1889

From Encyclopedia of the Romantic Era, 1760-1850
The inheritor of a tradition, Robert Browning's relationship with Romanticism is a complicated one. He was undoubtedly influenced by the Romantics, most notably by Percy Bysshe Shelley, although he later distanced himself from his Shelleyan past when he learned about the earlier poet's desertion of…
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Full text Article Robert Browning (1812–1889)

From The Hutchinson Unabridged Encyclopedia with Atlas and Weather Guide
Ah, did you once see Shelley plain, / And did he stop and speak to you / And did you speak to him again? ‘Memorabilia’ Boot, saddle, to horse, and away! Cavalier Tunes , ‘Boot and Saddle’ Brave Galuppi! that was music! good alike at grave and gay! / I can always leave off talking when I hear a…
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Full text Article FORGIVENESS

From Collins Dictionary of Quotations
You ought certainly to forgive them as a Christian, but never to admit them in your sight, or allow their names to be mentioned in your hearing. AUSTEN, Jane Pride and Prejudice (1813). Father, forgive them; for they know not what they do. THE BIBLE ; Luke, 23:34. Good, to forgive;Best, to…
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Full text Article SUCCESS

From Collins Dictionary of Quotations
Rockefeller once explained the secret of success.‘Get up early, work late – and strike oil.’ A minute’s success pays the failure of years. BROWNING, Robert ‘ Apollo and the Fates ’ (1887). Made it, Ma! Top of the world! CAGNEY, James White Heat , film, 1949. …
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Full text Article TYRANNY

From Collins Dictionary of Quotations
Under conditions of tyranny it is far easier to act than to think. In Auden , A Certain World (1970). Oppression makes the wise man mad. BROWNING, Robert Luria (1846). Bad laws are the worst sort of tyranny. …
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Full text Article HEAVEN

From Collins Dictionary of Quotations
Let heaven exist, even if my place be hell. BORGES, Jorge Luis ‘ The Library of Babel ’ (1941). [Promotional line for Cosmopolitan magazine] Good girls go to heaven, bad girls go everywhere. [Attr.] On the earth the broken arcs; in the heaven, a perfect round. BROWNING, Robert ‘ Abt Vogler ’ (1864). …
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Portrait of Robert Browning (1812-1889), engraving
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Full text Article DOUBT

From Collins Dictionary of Quotations
Where so many hours have been spent in convincing myself that I am right, is there not some reason to fear I may be wrong? AUSTEN, Jane Sense and Sensibility (1811). If a man will begin with certainties, he shall end in doubts; but if he will be content to begin with doubts, he shall end in…
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